CHAPITRE IV - The role of the man in the union.

The man has to make all that he can to get the pleasure to the woman.

When the woman is on her bed and as absorbed by his conversation, the man undoes the knot of his lower garment; and, if she ( it ? ) scolds him ( it ? ), he ( it ? ) closes him ( her ? ) the mouth by kisses.

Many authors are of opinion which he has to begin by sucking him ( her ? ) the nipple of bosoms.

When his ( her;its ? ) linga is in erection, he ( it ? ) gets ( touches ? ) her ( it ? ) with hands in various places and caresses ( cherishes ? ) pleasantly the different parts ( parties ? ) of his ( its ? ) body.

If the woman is shy and meets with him for the first time, he ( it ? ) will place the hand between the thighs which she will squeeze ( tighten ? ) instinctively.

If it is a very young girl, he ( it ? ) will put hands on his ( its ? ) bosoms that she ( it ? ) will doubtless cover with his, under armpits and on the neck.

If it is a ripe ( mature ? ) woman, he ( it ? ) will make all which can please both and what will agree for the occasion.

Then he ( it ? ) will take him ( her ? ) the hair and the chin between the fingers to kiss them.

If it is a girl, she ( it ? ) will redden and will close eyes.

By the way she ( it ? ) will receive her ( its ? ) caresses, he ( it ? ) will guess what pleases him ( her ? ) most in the union.

On this subject, said Souvarnanabha: something that the man made in the union for his pleasure, he always has to press the part of the body of the woman to which it turns eyes.

Here is which are the signs of the enjoyment and the satisfaction at the woman.

His ( Her;Its ? ) body relaxs, the eyes close, she ( it ? ) loses any shyness, makes effort so that both organs are united as strictly as possible.

When, on the contrary, she ( it ? ) does not try ( feel ? ) enjoyment, she ( it ? ) knocks on the bed with hands, does not let the man advance ( move ? ), she ( it ? ) is gloomy, bites the man, gives him ( her ? ) kicks and continues her ( its ? ) movement when the man finished.

In that case, the man has to rub, by shaking him ( it ? ), the yoni of the woman with the hand and the fingers (as the elephant rubs with its trunk) before beginning the union, until he is wet, and, then, to introduce his linga there.

He ( It ? ) resumes the same movement with the hand after his ( its ? ) cramp, if that of the woman did not occur yet (see on this subject the appendix).

There are nine acts which the man has to carry out.

1 ° THE PENETRATION OR THE MOVEMENT IN AVANT. - both organs go any right the one towards the other one, exactly opposite;

2 ° THE FRICTION or BARATEMENT. - The linga held in the hand is turned in circle in the yoni, around edges (as in the baratement of the butter);

3 ° THE PERCEMENT. - The yoni is lowered and the linga strikes its top;

4 ° THE FROTTEMENT. - In the same situation, the linga knocks against the bottom of the yoni;

5 ° THE PRESSION. - The linga presses the yoni during a long time;

6 ° THE COUP. - The linga, pulled ( fired ? ) outside the yoni, returns there then and strikes him ( it ? ) hardly and profoundly; the exit ( release ? ) returns of the vigour to the linga, delays the cramp of the man; the return tends to accelerate that of the woman;

7 ° THE BLOW OF the VERRAT. - The linga means striking only a part ( party ? ) of the yoni;

8 ° THE BLOW OF the TAUREAU. - The linga in its comeback strikes at the same moment both sides of the yoni;

9 ° THE SPORT OF the MOINEAU. - The linga has a very fast movement of goes and comes in the yoni without going out of it.

It is generally made towards the end of the union, when the man feels ( smells ? ) that he cannot delay any more his cramp.